CONTACT<\/p>\n\n\n\n
You can contact me by sending an email to regisseur@rennikjanneggers.com<\/p>\n\n\n\n
PRESS<\/p>\n\n\n\n
Le Bal Masqu\u00e9<\/em><\/strong>+ Review of Le Bal Masqu\u00e9<\/em> (Theaterkrant, in Dutch)<\/p>\n\n\n\n\nLe Bal Masqu\u00e9<\/a><\/blockquote><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong><em>Un mari \u00e0 la porte<\/em><\/strong><br>+ Review of <em>Un mari \u00e0 la porte<\/em> (Place de l’Opera, in Dutch)<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-place-de-l-039-opera wp-block-embed-place-de-l-039-opera\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"fcJBs4cNuT\"><a href=\"https:\/\/www.operamagazine.nl\/recensies\/61284\/dnoa-met-goed-ensemble-spel-in-offenbach\/\">DNOA met goed ensemblespel in Offenbach<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"“DNOA met goed ensemblespel in Offenbach” — Place de l'Opera\" src=\"https:\/\/www.operamagazine.nl\/recensies\/61284\/dnoa-met-goed-ensemble-spel-in-offenbach\/embed\/#?secret=jXRJsVv15D#?secret=fcJBs4cNuT\" data-secret=\"fcJBs4cNuT\" width=\"500\" height=\"282\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><em><strong><a href=\"http:\/\/www.rennikjanneggers.com\/index.php\/2020\/04\/02\/non-muore-mai-2\/\" data-type=\"post\" data-id=\"486\">Non muore mai<\/a><\/strong><\/em><br>+ Review of <em>Non muore mai <\/em>(Theaterkrant, in Dutch)<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-theaterkrant wp-block-embed-theaterkrant\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"p7GF9cLi4D\"><a href=\"https:\/\/www.theaterkrant.nl\/recensie\/non-muore-mai\/studio-salix\/\">Non muore mai<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"“Non muore mai” — Theaterkrant\" src=\"https:\/\/www.theaterkrant.nl\/recensie\/non-muore-mai\/studio-salix\/embed\/#?secret=UEGCSSVse9#?secret=p7GF9cLi4D\" data-secret=\"p7GF9cLi4D\" width=\"500\" height=\"282\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">+ Interview with Max Arian (Theaterkrant, in Dutch)<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-theaterkrant wp-block-embed-theaterkrant\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"tlTxAd5AGF\"><a href=\"https:\/\/www.theaterkrant.nl\/nieuws\/niet-op-rennik-jan-neggers\/\">Niet op: Rennik-Jan Neggers<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"“Niet op: Rennik-Jan Neggers” — Theaterkrant\" src=\"https:\/\/www.theaterkrant.nl\/nieuws\/niet-op-rennik-jan-neggers\/embed\/#?secret=VK8yEhOmIV#?secret=tlTxAd5AGF\" data-secret=\"tlTxAd5AGF\" width=\"500\" height=\"282\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em><a href=\"http:\/\/www.rennikjanneggers.com\/index.php\/magelone-en-peter\/\" data-type=\"page\" data-id=\"793\">Magelone en Peter<\/a><\/em><\/strong><br><br>+ Review of <em>Magelone & Peter <\/em>(Theaterkrant, in Dutch)<\/p>\n\n\n\n<div class=\"wp-block-group alignwide is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-0e47273b wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-theaterkrant wp-block-embed-theaterkrant\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"uB9v97zIwt\"><a href=\"https:\/\/www.theaterkrant.nl\/recensie\/magelone-peter\/nederlandse-reisopera\/\">Magelone & Peter<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"“Magelone & Peter” — Theaterkrant\" src=\"https:\/\/www.theaterkrant.nl\/recensie\/magelone-peter\/nederlandse-reisopera\/embed\/#?secret=AHwGgEuq9f#?secret=uB9v97zIwt\" data-secret=\"uB9v97zIwt\" width=\"500\" height=\"282\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">+ Short Q&A interview with Marjon Kok (Tubantia, in Dutch)<br><a href=\"https:\/\/www.tubantia.nl\/enschede\/rennik-jan-26-maakt-korte-productie-voor-reisopera-verhalen-over-alledaagse-dingen-vind-ik-het-leukst~a6b77167\/\">https:\/\/www.tubantia.nl\/enschede\/rennik-jan-26-maakt-korte-productie-voor-reisopera-verhalen-over-alledaagse-dingen-vind-ik-het-leukst~a6b77167\/<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">+ Interview with Ingrid Bosman (commissioned by De Nederlandse Reisopera, in Dutch)<br><a href=\"https:\/\/reisopera.nl\/brahms-en-trouwe-liefde-op-de-camping\/\">https:\/\/reisopera.nl\/brahms-en-trouwe-liefde-op-de-camping\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><em><strong><a href=\"http:\/\/www.rennikjanneggers.com\/index.php\/2018\/07\/29\/tell-me-the-truth-about-love\/\" data-type=\"post\" data-id=\"210\">Tell me the truth about love<\/a><\/strong><\/em><br><br>Interview with Frank van der Schaar (commissioned by Delft Chamber Music Festival, in Dutch)<br>on the themes of the show and about the maker’s own views on love and the truth.<br><a href=\"https:\/\/delftmusicfestival.nl\/nl\/nieuws\/interview-klaus-bertisch-en-rennik-jan-neggers\">https:\/\/delftmusicfestival.nl\/nl\/nieuws\/interview-klaus-bertisch-en-rennik-jan-neggers<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>CONTACT You can contact me by sending an email to regisseur@rennikjanneggers.com PRESS Le Bal Masqu\u00e9+ Review of Le Bal Masqu\u00e9 (Theaterkrant, in Dutch) Un mari \u00e0 la porte+ Review of Un mari \u00e0 la porte (Place de l’Opera, in Dutch) Non muore mai+ Review of Non muore mai (Theaterkrant, in Dutch) + Interview with Max […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"h5ap_radio_sources":[],"footnotes":""},"class_list":["post-770","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.rennikjanneggers.com\/index.php\/wp-json\/wp\/v2\/pages\/770","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.rennikjanneggers.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.rennikjanneggers.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.rennikjanneggers.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.rennikjanneggers.com\/index.php\/wp-json\/wp\/v2\/comments?post=770"}],"version-history":[{"count":42,"href":"http:\/\/www.rennikjanneggers.com\/index.php\/wp-json\/wp\/v2\/pages\/770\/revisions"}],"predecessor-version":[{"id":1221,"href":"http:\/\/www.rennikjanneggers.com\/index.php\/wp-json\/wp\/v2\/pages\/770\/revisions\/1221"}],"wp:attachment":[{"href":"http:\/\/www.rennikjanneggers.com\/index.php\/wp-json\/wp\/v2\/media?parent=770"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Le Bal Masqu\u00e9<\/a><\/blockquote><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong><em>Un mari \u00e0 la porte<\/em><\/strong><br>+ Review of <em>Un mari \u00e0 la porte<\/em> (Place de l’Opera, in Dutch)<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-place-de-l-039-opera wp-block-embed-place-de-l-039-opera\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"fcJBs4cNuT\"><a href=\"https:\/\/www.operamagazine.nl\/recensies\/61284\/dnoa-met-goed-ensemble-spel-in-offenbach\/\">DNOA met goed ensemblespel in Offenbach<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"“DNOA met goed ensemblespel in Offenbach” — Place de l'Opera\" src=\"https:\/\/www.operamagazine.nl\/recensies\/61284\/dnoa-met-goed-ensemble-spel-in-offenbach\/embed\/#?secret=jXRJsVv15D#?secret=fcJBs4cNuT\" data-secret=\"fcJBs4cNuT\" width=\"500\" height=\"282\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><em><strong><a href=\"http:\/\/www.rennikjanneggers.com\/index.php\/2020\/04\/02\/non-muore-mai-2\/\" data-type=\"post\" data-id=\"486\">Non muore mai<\/a><\/strong><\/em><br>+ Review of <em>Non muore mai <\/em>(Theaterkrant, in Dutch)<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-theaterkrant wp-block-embed-theaterkrant\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"p7GF9cLi4D\"><a href=\"https:\/\/www.theaterkrant.nl\/recensie\/non-muore-mai\/studio-salix\/\">Non muore mai<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"“Non muore mai” — Theaterkrant\" src=\"https:\/\/www.theaterkrant.nl\/recensie\/non-muore-mai\/studio-salix\/embed\/#?secret=UEGCSSVse9#?secret=p7GF9cLi4D\" data-secret=\"p7GF9cLi4D\" width=\"500\" height=\"282\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">+ Interview with Max Arian (Theaterkrant, in Dutch)<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-theaterkrant wp-block-embed-theaterkrant\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"tlTxAd5AGF\"><a href=\"https:\/\/www.theaterkrant.nl\/nieuws\/niet-op-rennik-jan-neggers\/\">Niet op: Rennik-Jan Neggers<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"“Niet op: Rennik-Jan Neggers” — Theaterkrant\" src=\"https:\/\/www.theaterkrant.nl\/nieuws\/niet-op-rennik-jan-neggers\/embed\/#?secret=VK8yEhOmIV#?secret=tlTxAd5AGF\" data-secret=\"tlTxAd5AGF\" width=\"500\" height=\"282\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em><a href=\"http:\/\/www.rennikjanneggers.com\/index.php\/magelone-en-peter\/\" data-type=\"page\" data-id=\"793\">Magelone en Peter<\/a><\/em><\/strong><br><br>+ Review of <em>Magelone & Peter <\/em>(Theaterkrant, in Dutch)<\/p>\n\n\n\n<div class=\"wp-block-group alignwide is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-0e47273b wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-theaterkrant wp-block-embed-theaterkrant\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"uB9v97zIwt\"><a href=\"https:\/\/www.theaterkrant.nl\/recensie\/magelone-peter\/nederlandse-reisopera\/\">Magelone & Peter<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"“Magelone & Peter” — Theaterkrant\" src=\"https:\/\/www.theaterkrant.nl\/recensie\/magelone-peter\/nederlandse-reisopera\/embed\/#?secret=AHwGgEuq9f#?secret=uB9v97zIwt\" data-secret=\"uB9v97zIwt\" width=\"500\" height=\"282\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">+ Short Q&A interview with Marjon Kok (Tubantia, in Dutch)<br><a href=\"https:\/\/www.tubantia.nl\/enschede\/rennik-jan-26-maakt-korte-productie-voor-reisopera-verhalen-over-alledaagse-dingen-vind-ik-het-leukst~a6b77167\/\">https:\/\/www.tubantia.nl\/enschede\/rennik-jan-26-maakt-korte-productie-voor-reisopera-verhalen-over-alledaagse-dingen-vind-ik-het-leukst~a6b77167\/<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">+ Interview with Ingrid Bosman (commissioned by De Nederlandse Reisopera, in Dutch)<br><a href=\"https:\/\/reisopera.nl\/brahms-en-trouwe-liefde-op-de-camping\/\">https:\/\/reisopera.nl\/brahms-en-trouwe-liefde-op-de-camping\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><em><strong><a href=\"http:\/\/www.rennikjanneggers.com\/index.php\/2018\/07\/29\/tell-me-the-truth-about-love\/\" data-type=\"post\" data-id=\"210\">Tell me the truth about love<\/a><\/strong><\/em><br><br>Interview with Frank van der Schaar (commissioned by Delft Chamber Music Festival, in Dutch)<br>on the themes of the show and about the maker’s own views on love and the truth.<br><a href=\"https:\/\/delftmusicfestival.nl\/nl\/nieuws\/interview-klaus-bertisch-en-rennik-jan-neggers\">https:\/\/delftmusicfestival.nl\/nl\/nieuws\/interview-klaus-bertisch-en-rennik-jan-neggers<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>CONTACT You can contact me by sending an email to regisseur@rennikjanneggers.com PRESS Le Bal Masqu\u00e9+ Review of Le Bal Masqu\u00e9 (Theaterkrant, in Dutch) Un mari \u00e0 la porte+ Review of Un mari \u00e0 la porte (Place de l’Opera, in Dutch) Non muore mai+ Review of Non muore mai (Theaterkrant, in Dutch) + Interview with Max […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"h5ap_radio_sources":[],"footnotes":""},"class_list":["post-770","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.rennikjanneggers.com\/index.php\/wp-json\/wp\/v2\/pages\/770","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.rennikjanneggers.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.rennikjanneggers.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.rennikjanneggers.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.rennikjanneggers.com\/index.php\/wp-json\/wp\/v2\/comments?post=770"}],"version-history":[{"count":42,"href":"http:\/\/www.rennikjanneggers.com\/index.php\/wp-json\/wp\/v2\/pages\/770\/revisions"}],"predecessor-version":[{"id":1221,"href":"http:\/\/www.rennikjanneggers.com\/index.php\/wp-json\/wp\/v2\/pages\/770\/revisions\/1221"}],"wp:attachment":[{"href":"http:\/\/www.rennikjanneggers.com\/index.php\/wp-json\/wp\/v2\/media?parent=770"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}